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  • Breve historia de mi vida - Stephen Hawking March 24, 2017
    La mente maravillosa de Stephen Hawking ha deslumbrado al mundo entero revelando los misterios del universo. Ahora, por primera vez, el cosmólogo más brillante de nuestra era explora, con una mirada reveladora, su propia vida y evolución intelectual. Breve historia de mi vida cuenta el sorprendente viaje de Stephen Hawking desde su niñez […]
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  • La teoría del todo - Stephen W. Hawking March 24, 2017
    Una manera clara y amena de acercarse a los misterios del universo. En esta esclarecedora obra, el gran físico británico Stephen Hawking nos ofrece una historia del universo, del big bang a los agujeros negros. En siete pasos, Hawking logra explicar la historia del universo, desde las primeras teorías del mundo griego y de la época medieval hasta las más com […]
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  • Inteligencia emocional para niños. Guía práctica para padres y educadores - Mireia Golobardes Subirana & Sandra Celeiro González March 24, 2017
    ¿Cómo podemos enseñar a los más pequeños a gestionar sus emociones? ¿Cómo ayudar a nuestros hijos a mejorar en sus relaciones con los demás? ¿Cómo facilitar a nuestros alumnos su capacidad para identificar sus emociones y la de los demás y favorecer relaciones sanas y positivas, con empatía y respeto? ¿Cómo contribuir a que padres y profesores puedan también […]
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  • ¿Cómo pensar como Sherlock Holmes? - Maria Konnikova March 24, 2017
    Ningún personaje de ficción es más conocido por sus poderes de intuición y observación que Sherlock Holmes. Pero, ¿es su inteligencia extraordinaria una invención de la ficción o podemos aprender a desarrollar estas habilidades, para mejorar nuestras vidas en el trabajo y en casa? A través de ¿ Cómo pensar como Sherlock Holmes? , la periodista y psicóloga Ma […]
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  • La física del futuro - Michio Kaku March 24, 2017
    Un recorrido asombroso a través de los próximos cien años de revolución científica. El futuro ya se está inventando en los laboratorios de los científicos más punteros de todo el mundo. Con toda probabilidad, en 2100 controlaremos los ordenadores a través de diminutos sensores cerebrales y podremos mover objetos con el poder de nuestras mentes, la inteligenc […]
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  • Ágilmente - Estanislao Bachrach March 24, 2017
    Bachrach es Doctor en biología molecular y explica el funcionamiento del cerebro. A través de ello, da consejos y herramientas para ser más creativos y felices en el trabajo y en la vida. La neurociencia es clara: el cerebro aprende hasta el último día de vida. La creatividad puede expandirse. Tu mente, mediante la aplicación de las técnicas correctas, puede […]
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  • El gran diseño - Stephen Hawking & Leonard Mlodinow March 24, 2017
    Aun antes de aparecer, este libro ha venido precedido, en todos los medios de comunicación, de una extraordinaria polémica sobre  sus conclusiones: que tanto nuestro universo como los otros muchos universos posibles surgieron de la nada, porque su creación no requiere de la intervención de ningún Dios o ser sobrenatural, sino que todos los universos pro […]
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  • Tricks Any Dog Can Do! - Susan Day March 24, 2017
    This great book comes with advice and guidance as to the best way to teach these tricks. It offers more than one method which the reader can choose depending upon their own situation. There is also advice to using treats and shows you how to not end up with a treat junkie! This books is from the desk of Susan Day, a canine behaviourist. Susan teaches obedien […]
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  • Crónicas de la extinción - Héctor T. Arita March 24, 2017
    Estas Crónicas de la extinción relatan la extinción de diversas especies animales. Comienzan con la historia de las tortugas de las islas Galápagos, y continúan en los episodios II y III con el recuento histórico de la manera en que la ciencia comprobó a través del registro fósil la extinción de las especies. La llamada extinción de los dinosaurios se detall […]
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  • Sobre la teoría de la relatividad especial y general - Albert Einstein March 24, 2017
    Entre el Electromagnetismo y la Mecánica newtoniana existe una fórmula de bisagra: la teoría de la relatividad especial y general. La importancia del nuevo marco planteado por Albert Einstein se entiende por lo siguiente: la percepción del tiempo y el espacio es relativa al observador. ¿Qué significa esto? Si usted viaja a una velocidad mayor que la de la lu […]
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Grassley and Feinstein: The Pair Who Will Lead Gorsuch’s Senate Hearings

NYT

See more here: Grassley and Feinstein: The Pair Who Will Lead Gorsuch’s Senate Hearings

Steve King, Hurling Insults at Immigrants, Is Rebuked by His Own Party

NYT

See original here: Steve King, Hurling Insults at Immigrants, Is Rebuked by His Own Party

Steve King Says Civilization Can’t Be Restored With ‘Somebody Else’s Babies’

NYT

The rest is here: Steve King Says Civilization Can’t Be Restored With ‘Somebody Else’s Babies’

Inside the Cinematography of the Oscar-Nominated Movie Arrival

“Cautious, yet mystified, Louise takes another bold action: She steps for the boundary. The light from that mist on the other side of that glass illuminates her face, showing her wonderment.” In the surprise hit movie Arrival, which is nominated for eight Academy Awards, linguistics professor Louise Banks (played by Amy Adams), is tasked with interpreting the language of a race of visiting aliens. In a dark, cavernous chamber aboard their spaceship, Louise moves from the shadows to the light – a dance that’s mirrored throughout the movie as the character slowly comes to terms with the true lessons the arrival brings. “I think that journey from darkness to light is her journey,” says Bradford Young, Arrival’s cinematographer. Born in Louisville, Ky., Young has made his reputation with like A Most Violent Year and Selma, in which his mastery of available light helped convey the stories’ intimate natures. And that’s what Arrival’s director Denis Villeneuve was looking for when he embarked on his first science-fiction film. “I was looking for a cinematographer with a very precise sensibility towards natural light,” Villeneuve tells TIME. “I wanted the movie to have strong roots in realism. I wanted a cinematographer who would not be afraid to deal with intimacy. It’s a very specific sensibility that I felt in Bradford’s previous work.” Nowhere else is this play on light more apparent then aboard the spaceship, in the gloomy chamber where Louise spends much of her time. Villeneuve says that the set was specifically designed to be ominous and dark, a place where light is absorbed rather than reflected, a place that subliminally represents death. “The main character is in a relationship with death,” says Villeneuve. “The more she learns about the Heptapod [alien] culture, the more it changes her perception of life, death and time.” Jan ThijsA scene inside the spaceship’s chamber from the film “Arrival” by Paramount PicturesThat’s where Patrice Vermette, the film’s production designer, comes in. “With any movies I do, my process is very similar,” Vermette tells TIME. “I start by creating mood boards and collections of images that are only emotional reactions to the script. It could be colors, lights, marbles, rocks.” Then, he and the director work out where to go with that inspiration. In this case, both men were deeply influenced by the artist James Turrell’s Shallow Space Constructions, a series of artworks that use light and space to question the nature of human perception. “When I saw hundreds of people being hypnotized by James Turrell’s light, I had an epiphany,” says Villeneuve. The cavernous chamber was born out of that experience. It is designed like a dark temple where the film’s characters come to see the light – in this case, the aliens who remain semi-hidden behind a blinding rectangular white screen. Instead of using green screens, Vermette and his team actually built the ship’s chamber. The physical space was humbling and also helped the director and cinematographer set up their shots, Villeneuve days, but the chamber’s bright screen was a challenge for Young. “We had to be fearless,” he says. “We had to accept the fact that when Louise’s very far from the screen she would be quite dark, and when she’s right up on the screen, we would, for lack of a better term, overexpose her.” But that was the point, he adds. “This movie is about Louise’s personal enlightenment. So you just submit to what the light offers and let that tell the story. It gave us the opportunity to let the lighting of the film mirror the journey of the character.” That concept is replicated in two other locations throughout the movie. In Louise’s home, a large wall-to-wall window opens up to a blinding, yet hazy, lake, contrasting with the deliberate darkness of her living room. And inside the brutalist, fortress-like architecture of Louise’s university, she faces a rectangular white board that opens up to a television announcing the aliens’ arrival. Again, light and darkness are at play, informing Louise’s journey. “The structure of all these places work together,” says Young. “Those places make the spaceship that much more important and the spaceship makes those places that much more important. They are in a conversation with one another. They remind us of where Louise came from and where she’s headed.” Outside of the spaceship, Young was inspired by the work of photographer Martina Hoogland Ivanow to create a sense of dread and chaos in direct opposition to the Zen-like nature of Louise’s safe and sacred zones. In her book, Speedway, Ivanow creates gloomy, ominous images from mundane situations: a simple landscape becomes a Twin Peaks-like world where the unknown could be lurking in the dark; a motorcycle pilot is transformed into a shadowy, threatening figure. Martina Hoogland IvanowFrom the series “Speedway”In Arrival, this is in play when we enter the military’s compound set up near the spaceship. “The calmness of the ship’s chamber is in contrast with the interior of the tents,” says Vermette. “We realize that it’s the human beings that are disturbing the peace and we can’t wait to get back inside the spaceship.” Toward the light – the one controlled by the aliens and the one under Young’s spell. “A light that brings a lot of intimacy, sensuality, fragility and humanity to the project,” says Villeneuve. Olivier Laurent is the editor of TIME LightBox. Follow him on Twitter and Instagram @olivierclaurent Follow TIME LightBox on Facebook, Twitter and Instagram. […]

In Iowa, Trump Voters Are Unfazed by Controversies

NYT

Read the original post: In Iowa, Trump Voters Are Unfazed by Controversies

2016 Saw Big Gains For Public Health, Climate Action, Clean Energy

As the wild roller coaster ride that was 2016 comes to an end, it turns out we’ve made incredible progress in moving the U.S. from coal to clean energy. While there’s no doubt that uncertain times are ahead, we’re standing on a strong foundation of progress. Thanks to tenacious grassroots leaders across the nation, the U.S. is leading the world on reducing climate-disrupting pollution ? and we’re not going backwards, regardless of who is in the White House. […]

Meet the most pro-climate appointee Trump has made yet.

The administration announced Tuesday that President Obama will use a provision in the 1953 Outer Continental Shelf Lands Act to halt new offshore drilling in parts of federally owned Arctic and Atlantic waters — forever. While previous presidents have used that act to protect parts of the ocean, this is the first time it’s been exercised to enact a permanent ban on drilling. Canada will also indefinitely ban future drilling in its Arctic territory, the country said in the joint announcement.

The announcement came four weeks shy of Obama’s White House departure. President-elect Trump, a climate change denier, has vowed to undo many of Obama’s executive orders as well as dismantle the Clean Power Plan, open more federal lands to drilling, and withdraw from the Paris Climate Accord.

But by using an existing act instead of issuing an executive order, Obama made the reversal of this drilling ban more difficult for his successor.

“We know now, more clearly than ever, that a Trump presidency will mean more fossil fuel corruption and less governmental protection for people and the planet, so decisions like these are crucial,” said Greenpeace spokesperson Travis Nichols. “President Obama should do this and more to stop any new fossil fuel infrastructure that would lock in the worst effects of climate change.”

This story has been updated.

[…]