The director of “Monsieur Lazhar” talks about why making the foreign-language Oscar short list is nerve wracking and harder than actually being nominated.
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The Guardian’s George Monbiot talks about climate deniers, junk science, and the need for nuclear. Leslye Headland talks about “Bachelorette,” her lacerating comedy that has its premiere at Sundance on Monday. Paul Feig, director of “Bridesmaids,” talks about his contribution to adult cinema and the year in comedy. One last look at the Golden Globes afterparties. The writer, comedian and Golden Globe host has made a great career of irreverence. But his best trick is being just reverent enough to keep getting invited to the party Albert Brooks talks about the lengths he went to to understand his violent character in “Drive.” Martin Sheen, who stars in “The Way,” talks about making a film with his family, changes in the Academy and making “Apocalypse Now.” Calculating how many votes are needed to get a best-picture Oscar nomination. The director of “Extremely Loud & Incredibly Close” talks about tinkering with the film, including the score, up to the last minute. |
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